Indie Exclusive Releases
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‘Why Me? Why Not.’ was written by Liam with producers Andrew Wyatt and Greg Kurstin, and recorded in Los Angeles and at RAK Studios in London. Wyatt and Kurstin previously contributed writing and production to Liam’s all-conquering debut solo album ‘As You Were’, and Liam was keen to get even deeper with them this time. As a result, ‘Why Me? Why Not.’ is a clear upgrade on ‘As You Were’ but not a radical departure. LG promises, “It’s a better record than As You Were,” which is saying something, as that was epic, wasn’t it?” The first single ‘Shockwave’ (out now) erupts into life with an indelible riff which channels The Who and T. Rex, before Gallagher bursts in on the unrelenting hook with his signature venomous punch. It’s the first new music from Gallagher since his chart-topping 2017 solo album debut As You Were and the first taste of what’s to come from his forthcoming second album, Why Me? Why Not.
Single LP on coke-bottle clear vinyl in same packaging as standard LP. Includes foldout poster inserts (22.75” x 33”) & a coupon for full download. Ltd Edition. Indie Only.
Describing the Durham-basedHiss Golden Messengeris like trying to grasp a forgotten word: It’s always on the tip of your tongue, but hard to speak. Songwriter and bandleader M.C. Taylor’s music is at once familiar, yet impossible to categorize: Elements from the American songbook—the steady, churning acoustic guitar and mandolin, the gospel emotion, the eerie steel guitar tracings, the bobbing and weaving organ and electric piano—provide the bedrock for Taylor’s existential ruminations about parenthood, joy, hope, and loneliness—our delicate, tightrope balance of dark and light—that offer fully engaged contemporary commentary on the present. And then there’s an indescribable spirit and movement: Hiss Golden Messenger’s music grooves. There’s nothing else quite like it.
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Seratones aptly named sophomore release POWER is described by poet and author Hannif Abdurraquib as a glorious, swelling album[a] sonic monument, and precise lyrical tapestry. AJ Haynes bends her gloriously malleable voice seamlessly around the temples of rock, and soul, and funk. All of them, unfurling in waves of keys, staccato percussion and wailing curves of guitar. Based in Shreveport, Louisiana, Haynes and founding members, drummer Jesse Gabriel and bassist Adam Davis, form the kind of laser-focused rhythm section that you only get from bandmates who've been playing together since they were teenagers. New members Tyran Coker (keys) and Travis Stewart (guitar) bring a fresh dynamic to the band with interstellar soundscapes and entrancing melodies, all while maintaining the emotional edge and intensity from their acclaimed proto-punk debut record Get Gone.vPOWER exemplifies a true strength in vulnerability, a kaleidoscopic view into Haynes passions, hopes, and worries: from her love of poetry to her advocacy for Reproductive Justice and racial equity. Hard-learned lessons from lovers and intimate friends. The struggles to adapt and overcome. POWER is as much a statement as it is a question, a semiotic exploration of sound and Soul.
Vinyl: $35.98 PRE ORDER
"Yesterday, everyone knew The Beatles. Today, only Jack remembers their songs. From Academy Award®-winning director Danny Boyle and writer Richard Curtis comes a rock-n-roll comedy about music, dreams, friendship, and the long and winding road that leads to the love of your life – Yesterday, due in theatres June 28.After a mysterious global blackout wipes The Beatles from history, Jack, a struggling singer-songwriter, finds himself performing songs by the greatest band in history to a world that has never heard them.
Capitol Records – The Beatles’ U.S. record label – will release the Yesterday Original Motion Picture Soundtrack, which features new versions of The Beatles’ most beloved hits, performed by the film’s star, Himesh Patel. Album producer Daniel Pemberton, a two-time Golden Globe-nominated composer, has created a soundtrack that both reflects the film and stands alone as a true listening experience, begging to be heard from beginning to end. Most of the songs were recorded specifically for the album."
Ride return with the 6th studio album of their career and their second since reforming in 2015 and signing to Wichita. As with their previous album, the highly acclaimed Weather Diaries, Erol Alkan was in the producers chair, whilst career-long collaborator Alan Moulder (with Caesar Edmunds) mixed the album. The albums title was inspired by one of the hobo code symbols once used by those who travelled the railroads of the US, and then found in the early artwork of Jean-Michel Basquiat. The phrase clearly resonates with the current state of the world politically and environmentally. This Is Not A Safe Place is arguably the Ride album with the broadest sonic palette thus far. You can hear sounds and styles that span their entire catalogue but, both musically and lyrically, this is clearly an album made by a band who love being back together and who are at the very top of their game.
When Francis Lung describes his new album as sounding like a short Mancunian boy single-handedly trying to incite Beatlemania hes really not too far wide of the mark. Released later this Summer, Lungs much-anticipated debut album A Dream Is U is both bold and enthusiastic, a kaleidoscopic journey informed by the greats but also one that is wonderfully enigmatic, the sound of a multi-instrumentalist tying together all manner of influences into one beautifully cohesive album.Following on from the home-recorded Volumes 1 + 2 EPs, which contained titbits written during his time in Wu Lyf, A Dream Is U is the first fully-realised Francis Lung record, a studio undertaking brought to life with producer Brendan Williams (Dutch Uncles, GoGo Penguin), a colourful patchwork of vision and ingenuity. Before we started recording I knew exactly what the arrangements were in my head Francis says, reflecting on the time spent devising his new work. "It was kind of my mission to capture everything as it was in my imagination.Touching upon the universal themes of addiction, faith, and love in all of its confusion, A Dream Is U is a collection of characters and stories that plays out something like a Harvey Pekar comic strip; an obsessive chronicle of daily lives twisted into new shapes by the unique mind and manners of their narrator. With flashes of striking colour and an ever-present wry smile, Francis Lung has created a debut album that drifts between simple acceptance and exuberant yearning for more. My favourite part is when it talks about escaping to another universe, Francis says of one song in particular, Unnecessary Love. Although its a doomed and impossible dream, its amusing to me that if we survive long enough it could be a real possibility.At times boisterous and radiant, elsewhere contemplative and brooding, A Dream Is U feels like being awake in dreams, like stepping outside of the daily rotation; like shadows leaving their dancing bodies to waltz away to their own tune.
Caamp formed when childhood friends Taylor Meier and Evan Westfall bonded over a shared love for Ohio and music. Their self-titled debut (2016) exceeded 52 million plays and climbed the Spotify charts. Thereafter, Caamp toured with Rainbow Kitten Surprise, headlined the US, released Boys EP (2K sold) and added a third member, Matt Vinson. The band has built their grassroots audience from touring all over the world and have sold 25K tickets over the past 8 months. In 2019 they will play worldwide festivals including Shaky Knees, The Great Escape, Outside Lands, Edmonton Folk Festival, Austin City Limits, and more. By & By was co-produced by Josh Block and Austin Jenkins (Leon Bridges, White Denim) at Ft. Worth’s Niles City Sound. The much-awaited album By and By includes key tracks "Penny Heads Up", "No Sleep", "By and By" and "Peach Fuzz”.
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Limited pressing of blue colored vinyl ONLY available via your local indie record store
The groundbreaking band’s 10thstudio album, HOTEL LAST RESORT resides among Violent Femmes’ finest work, simultaneously refining and redefining their one-of-a-kind take on American music, mingling front porch folk, post-punk, spiritual jazz, country blues, avant garde improvisation, and golden age rock ‘n’ roll. Founded and fronted of course by Gano and Ritchie, the group remains as warm, wise and weird as ever before, with such new favorites as “Another Chorus” and “Everlasting You” continuing to mine the vast range of ideas, melodic complexity, and organic sonic craftsmanship that has characterized the band’s body of work since their landmark 1983 debut.
Live In Los Angeles was a covermount CD for The Mail On Sunday newspaper in Britain and Ireland, on 17th January 2010. It had been recorded during Paul’s unannounced performance at Amoeba Music in Los Angeles on 27th June 2007: a free show, inside the mammoth Hollywood record store. In the audience, small children and grandparents rubbed elbows with the likes of Ringo Starr and Woody Harrelson. All tracks performed by Paul McCartney, Rusty Anderson, Abe Laboriel Jr, Brian Ray, David Arch.
School of Language is David Brewis, who also makes music with his brother Peter as Field Music. This is the third School of Language album, following on from Sea From Shore in 2008 and Old Fears in 2014.
This is an album about Donald Trump - his dubious rise in politics, his capricious behaviour while in office and the motley cast of characters he has surrounded himself with.
It’s not exactly a protest record, though it is shot through with anger. It’s definitely not a joke, though some of it is darkly funny. It is a tragedy and it is a farce. The songs are sung from different points of view, almost as if it’s a Donald Trump funk musical. One advisor sells Trump on the idea of a border wall. Another one feels he can’t quit because of the chaos that might follow. Rex Tillerson fumes at his plummeting status. Psychiatrists fret about the President’s mental stability. Hillary Clinton laments her loss. Trump himself brags and equivocates in his own unique, blustering style.
45 was written and recorded in a little less than two months during gaps in the schedule at Field Music’s studio in Sunderland. It was inspired by Bob Woodward’s book Fear, articles in the Washington Post, The New Yorker and The New York Times and by Nate Silver’s FiveThirtyEight. It was also inspired by James Brown, Sly and the Family Stone, The Meters, Otis Redding and Free.
Choba B CCCP, the Russian translation of “Back In The USSR”, was released in the Soviet Union in 1988, making Paul the first artist from the West to issue an album exclusively for that market. (It was released in the rest of the world following the collapse of the Soviet Union in 1991.) Ruminating on the next stage of his career following 1986’s Press To Play, Paul decided he wanted to get back to his roots, so hired three session musicians and spent just two days covering his favourite hits.
Paul Is Live, recorded during the tour in support of Off The Ground, was Paul’s fifth live album and is famous for its title’s double meaning and the rumour-scotching cover art. Ever since the 1969 release of Abbey Road, there had been hoax-fuelled stories of Paul’s untimely death. The new title was a way of saying that this was most definitely not the case. The artwork is a play on the famous Abbey Road cover, with Paul crossing that same street but wearing shoes and using his left hand.
Vinyl: $53.98 PRE ORDER
Selected from 90 hours of recordings, Wings over America is a faithful account of the 1975-76 world tour that captures the band at its peak. It was taped at several of the US shows, but mixed as if it were a single performance. Paul combined old Beatle favourites with highlights from a solo catalogue that was now achieving real stature. Though an expensive triple disc on vinyl (it had been planned as a double, but a rival bootleg version encouraged Paul to expand it) sales were remarkable.
With their sublime second album, Palace have pulled off a rare pop trick with Life After. Songs steeped in darkness emerge into light, from bleak situations spring fresh starts. Bathed in the band’s atmospheric alt-rock, the future feels brighter and more optimistic. Life After is both an album about loss and a manual to moving on.
Vinyl: $21.98 PRE ORDER
Washington, DC's Gauche present A People's History of Gauche, a collective catharsis of anger, frustration, and trauma through creativity. Jason P Barnett, Adrienne CN Berry, Mary Jane Regalado, Pearie Sol, and Daniele Yandel find their agency and joy through creating and performing music together in 36 minutes of groove-filled power punk. Gauche bring us music and movement and struggle and light, and now it is our job to dance!
Imperial Teen’s releases over the past 20+ years have been pointed and specific diaries of musical celebration, windows into the hypersensitive personal drama of relationships within the band, individual conquests and failures, and collective, aspirational hopes, dreams, and perspectives. Roddy Bottum, Will Schwartz, Jone Stebbins, and Lynn Perko Truell—who they’ve become, how they are dealing, and what their lives are in 2019—all of this is on Imperial Teen’s Now We Are Timeless.
Vinyl: $26.98 PRE ORDER
With a hugely impressive over a million combined album sales and over a billion streams under their belt, Tycho are the Grammy-nominated electronic music project led by Scott Hansen as primary composer, songwriter and producer. Respected for both their musical output and Scott’s graphic design work, under the ISO50 moniker, Tycho has produced and released a hugely successful back catalogue which has drawn comparisons to the likes of Boards of Canada, Ulrich Schnauss and Jon Hopkins. The highly anticipated release of Tycho’s fifth studio album Weather is an exciting progression from his previous output, with most of the new tracks being vocal lead, while still retaining the signature Tycho sound. The sonic shift is enhanced by a collaboration with a young exciting new voice - vocalist Saint Sinner who will be joining the live band following her time in the studio. The release will see Mom + Pop partner for this exciting new chapter in the artist’s career.
A culmination of life and musical experience, uncompromising in its vision, STONECHILD, the new studio album from Jesca Hoop is a self-described compassion project.Released on July 5th by Memphis Industries, STONECHILD is Hoop refined and defined. Beautiful, subtle and stark, her fifth album, the follow up to 2017s highly acclaimed Memories Are Now, is her best yet. Despite being a long-term resident of Manchester, Hoop, has until now, returned to her native California to record. This time round however, it was according to Hoop time to step out of my comfort zone, my safe place, venturing south to Bristol to team up with producer John Parish (PJ Harvey, Aldous Harding, This is the Kit). Parishs minimal and purist approach helped clarify Hoop in her ideas and subtly yet effectively realigning her sound. The simplified arrangements draw focus to the fundamental sophistication of the songs.While Hoops trademark finger-plucked guitar and ethereal textures remain, the songs and their presentation are ever more direct. Parish was a gentle collaborator until he killed one of my darlings Hoop jests. Ive never been so brutally edited, and I wasnt shy about expressing my discomfort at the sight of my work on the cutting room floor. He said, you will forgive me, and in some way, I think I actually enjoyed that treatmentbeing stripped back to the bare basicsalbeit painfully. STONECHILD ventures further into fresh territory with other voices joining the narrative, with Kate Stables (aka This is the Kit) Rozi Plain and Lucius singing the choruses and expanding the sensual depth of the sonic bloom.STONECHILD, Hoop says, is intended to wrap its arms around our human planet spinning in its increasingly precarious wobble. These rich and curious songs derived from themes of our troubled times speak Hoops heart and mind from her empathetic yet tough loving centre point. With writing so fluid, so natural the result is an album where everything is truly meant.
Iggy Pop’s long-lost classic Zombie Birdhouse, a heady concoction of drones, Afrobeats and freeform lyrics, was his 6th solo studio album and represents him at his freewheeling best. Available on vinyl for the first time since the original Chris Stein produced release on Animal Records in 1982, the reissue was remastered by Paschal Byrne and features singles “Run Like A Villain” and “The Villagers,” sleevenotes by Irvine Welsh, and rare photographs from the original Esther Friedman photoshoot.
Indie Exclusive is a limited run of 3,500 total that will be made up of a red vinyl version, a white vinyl version and a blue vinyl version.
The Black Keys’ ninth studio album “Let’s Rock” will be released June 28, 2019 via Easy Eye Sound/Nonesuch Records. The long-awaited album, their first in five years, is a return to the straightforward rock of the singer/guitarist Dan Auerbach and drummer Patrick Carney’s early days as a band. “Let’s Rock” was written, tracked live, and produced by Auerbach and Carney at Easy Eye Sound studio in Nashville and features backing vocals from Leisa Hans and Ashley Wilcoxson.
Following 2015's beautifully written introspective album 'Golden Age', singer-songwriter Chris Staples is back with his upcoming full length release, 'Holy Moly'. While maintaining the authentic reflection Staples is known for in his songwriting, he has embraced a cautiously optimistic outlook for his future. Staples finds gentle melodies with his trademark stripped-back guitar, and also introduces new sounds by integrating keyboards for sonically lush arrangements. Staples' previous releases were met with praise from NPR's All Songs Considered, American Songwriter, Paste, The AV Club, and more.