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Fifteen years after American Football’s highly influential self-titled debut album (American Football), the band reunited (now as a four-piece, with the addition of Nate Kinsella) and recorded their long-anticipated second album, 2016’s American Football (LP2). The release was widely praised, but the band members still felt like their best work was yet to come. American Football (LP3) is contemplative, rich, expressive, yet with a queasy undercurrent. Featuring guest vocals from Paramore’s Hayley Williams, Slowdive’s Rachel Goswell, and Land of Talk’s Elizabeth Powell, the album is heavy with expectancy, revealing its ideas slowly, eliciting the hidden stories people carry around with them. There was a determination to let the songs breathe, to trust in ideas finding their own pace.
Having ended 2018 on a high note with the announcement of her fourth solo album On The Line—to be released March 22nd on Warner Bros. Records—Jenny Lewis has now unleashed the first taste of her highly anticipated return with the first single, “Red Bull & Hennessy
2018 marked the 35th anniversary for Megadeth, one of the most influential powerhouses in thrash metal. All year long the band celebrated with various events, culminating in Warheads on Foreheads - with Dave Mustaine personally A&R’ing a new anthology honoring his legacy - 35 tracks for 35 years, on 3CD, Digital and 4LP. For the first time, a Megadeth anthology includes tracks from The System Has Failed, United Abominations, Endgame, Th1rt3en, Super Collider and the Grammy award winning Dystopia. “Warheads on foreheads” is a military term expressed when bombing missions are underway.
La Dispute is five close friends from the Upper Midwest with a firm passion for the concept of music and art as a medium for making new friends. As a result, La Dispute makes (or strives to make) music that is both artistically, technically, and emotionally engaging in hopes of establishing legitimate connections with any and all interested people, while encouraging dialogue between those people and themselves about things in life that truly matter and that truly last. La Dispute also carries a firm passion for the relevance of a live show, both for the bands involved and for the people in attendance, and will go to the grave believing that the environment created when strangers come together despite their differences to celebrate one important thing is invaluable and should not under any circumstances be taken for granted.
Single LP on magenta & blue swirl vinyl in same packaging as standard LP. Includes coupon for full download. Indie Only. Limited Edition
When Ex Hex exploded onto the scene with their unfettered brand of rock and riffage, the power trio for our generation had finally arrived. Made up of Mary Timony (guitar, vocals), Betsy Wright (bass, vocals), and Laura Harris (drums), the group’s 2014 debut Rips was a gleaming collection of tightly wound gems that scored Best New Music honors from Pitchfork, the top spot on Magnet Magazine’s Best of 2014 list, and No. 11 in that year’s Pazz & Jop critics poll. Near-constant touring throughout 2015 and 2016 established the band as a force to be reckoned with: an audacious three-piece distilling rock music to its essence with formidable skills and a reputation for frenzied and unabashedly fun live shows.
On It’s Real, the group’s forthcoming second album, Ex Hex’s commitment to larger-than-life riffs and unforgettable hooks remains intact, but the garage-y, post-punk approach that defined Rips has grown in scale and ambition. What started as a reaction to the blown-out aesthetic of Rips would test the sonic limits of the power trio and lead the band on a quest for a more immersive and three-dimensional sound. Vocal harmonies are layered ten tracks deep, solos shimmer and modulate atop heaving power chords, and the codas linger and stretch toward new frontiers of sound. On first listen, you might think you’ve unearthed a long-lost LP carved from the space where crunch-minded art rock and glitter-covered hard rock converge, an event horizon at the intersection of towering choruses and swaggering guitars.
Significant Changes is a blend of vintage drum machine funk drawing heavily on Chicagos house blueprint - a natural progression from a string of EPs both solo and alongside her friend and mentor DJ Fett Burger.Hailing from the small town of Grand Forks, British Columbia - some 6 hours outside Vancouver - Jayda Guy grew up surrounded by nature, which sparked an early interest in biology. In 2018 she completed her Masters in Resource and Environmental Management specializing in environmental toxicology, wherein she specifically studied the effects of human activity on the Salish Sea killer whales (orcas) of Vancouver, BC. It was also the year that she finished recording her debut album as Jayda G - Significant Changes.
For his feelgood third solo album We Wanna BeHyp-No-Tized, Pavement co-founder Scott Kannberg best known to the musical world as Spiral Stairs concocted some of the most fun and accessible music of his storied career by expanding his musical repertoire. We Wanna Be Hyp-No-Tized is fun, infectious and musically compelling, while still managing to cover some hefty topics like the current rambunctious political climate. Reuniting the bulk of the dream team who assisted him on Doris & The Daggers bassist Matthew Harris (Oranger, The Posies), multi instrumentalist Tim Regan and good friend Kelley Stoltz, as well as former touring Preston School Of Industry drummer Jim Lindsay We Wanna Be Hyp-No-Tized is the most fully rendered encapsulation to date of Spiral Stairs inimitable aesthetic.
Debut album from ATO's priority developing artist, Nilüfer Yanya. Taking her inspiration from iconic songwriters such as Nina Simone and Jeff Buckley as well as modern influences Connan Mockasin and The Strokes, Nilüfer's music incorporates the city’s urban edge with beautiful wandering guitar lines, downtrodden soulful and jazz flickered melodies, on top of minimalist and atmospheric beats. Releasing 3/22 via ATO Records
My Finest Work Yet finds Bird grappling with themes of current day dichotomies and how to identify a moral compass amidst such divisive times. “I’m interested in the idea that our enemies are what make us whole—there’s an intimacy one shares with their opponent when locked in such a struggle. If we were to just walk away would our enemies miss us? How did we get to this point and how can we, through awareness of it, maybe pull ourselves out of this death spiral,” says Bird.
On August 29, 1987 Grateful Dead frontman Jerry Garcia led both the Jerry Garcia Band and the Jerry Garcia Acoustic Band for performances at French’s Camp On The Eel River in Piercy, California. Garcia would bring the JGB back to the scenic venue on June 10, 1989 and on August 10, 1991 - now get ready for the spectacular new re-issue Electric on the Eel 6CD Set showcasing the Jerry Garcia Band’s electric sets from 8/29/1987, 6/10/1989, and 8/10/1991. It will come with a Gift with Purchase Limited Edition bonus disc (a separate slipcase jacket and limited to 2000 units). The 6CD Set features: Jerry Garcia, John Kahn, Melvin Seals, David Kemper Jaclyn LaBranch, and Gloria Jones.