Inspired by the boundary-pushing production, rhythm, and pastiche of hip-hop, classic beat-infused rock like Talking Heads, Blondie, and The Police, and danceable indie music like Gorillaz and St. Vincent, House on Fire is the debut album from Kansas City's Hembree. One of NPR's Spotlight Artists to Watch and Rolling Stone's 'Best Artists We Saw at SXSW.'
Ride return with the 6th studio album of their career and their second since reforming in 2015 and signing to Wichita. As with their previous album, the highly acclaimed Weather Diaries, Erol Alkan was in the producers chair, whilst career-long collaborator Alan Moulder (with Caesar Edmunds) mixed the album. The albums title was inspired by one of the hobo code symbols once used by those who travelled the railroads of the US, and then found in the early artwork of Jean-Michel Basquiat. The phrase clearly resonates with the current state of the world politically and environmentally. This Is Not A Safe Place is arguably the Ride album with the broadest sonic palette thus far. You can hear sounds and styles that span their entire catalogue but, both musically and lyrically, this is clearly an album made by a band who love being back together and who are at the very top of their game.
The groundbreaking band’s 10thstudio album, HOTEL LAST RESORT resides among Violent Femmes’ finest work, simultaneously refining and redefining their one-of-a-kind take on American music, mingling front porch folk, post-punk, spiritual jazz, country blues, avant garde improvisation, and golden age rock ‘n’ roll. Founded and fronted of course by Gano and Ritchie, the group remains as warm, wise and weird as ever before, with such new favorites as “Another Chorus” and “Everlasting You” continuing to mine the vast range of ideas, melodic complexity, and organic sonic craftsmanship that has characterized the band’s body of work since their landmark 1983 debut.
Caamp formed when childhood friends Taylor Meier and Evan Westfall bonded over a shared love for Ohio and music. Their self-titled debut (2016) exceeded 52 million plays and climbed the Spotify charts. Thereafter, Caamp toured with Rainbow Kitten Surprise, headlined the US, released Boys EP (2K sold) and added a third member, Matt Vinson. The band has built their grassroots audience from touring all over the world and have sold 25K tickets over the past 8 months. In 2019 they will play worldwide festivals including Shaky Knees, The Great Escape, Outside Lands, Edmonton Folk Festival, Austin City Limits, and more. By & By was co-produced by Josh Block and Austin Jenkins (Leon Bridges, White Denim) at Ft. Worth’s Niles City Sound. The much-awaited album By and By includes key tracks "Penny Heads Up", "No Sleep", "By and By" and "Peach Fuzz”.
With a hugely impressive over a million combined album sales and over a billion streams under their belt, Tycho are the Grammy-nominated electronic music project led by Scott Hansen as primary composer, songwriter and producer. Respected for both their musical output and Scott’s graphic design work, under the ISO50 moniker, Tycho has produced and released a hugely successful back catalogue which has drawn comparisons to the likes of Boards of Canada, Ulrich Schnauss and Jon Hopkins. The highly anticipated release of Tycho’s fifth studio album Weather is an exciting progression from his previous output, with most of the new tracks being vocal lead, while still retaining the signature Tycho sound. The sonic shift is enhanced by a collaboration with a young exciting new voice - vocalist Saint Sinner who will be joining the live band following her time in the studio. The release will see Mom + Pop partner for this exciting new chapter in the artist’s career.
The Raconteurs – Jack White, Brendan Benson, Jack Lawrence, and Patrick Keeler – have announced the release of their long-awaited new album, HELP US STRANGER, which is the GRAMMY® Award-winning rock band’s third studio LP and first new album in more than a decade. Out on Friday, June 21, HELP US STRANGER sees the mighty combo reassembled, stronger and perhaps even more vital than ever before as they continue to push rock 'n' roll forward into its future, bonding prodigious riffs, blues power, sinewy psychedelia, Detroit funk, and Nashville soul via Benson and White’s uncompromising songcraft and the band’s steadfast musical muscle. With HELP US STRANGER, The Raconteurs have returned right when they are needed most, unified and invigorated with boundless ambition, infinite energy and a collectivist spirit operating at the peak of its considerable powers, once again creating a sound and fury only possible when all four of its members come together.
Their first album together in nearly 10 years, Breakdown On 20th Ave. South is an album of Julie Miller songs produced by Buddy Miller. As a couple and individually, Buddy and Julie have been nominated and received multiple awards including Grammys, Americana Awards, Dove Awards among others. Julie Millers songs have been recorded by a diverse range of artists including Emmylou Harris, Lee Ann Womack, Levon Helm, Solomon Burke, and Miranda Lambert. Buddy Miller is known for his work as a guitarist, performing live and in the studio with artists such as Robert Plant, Alison Krauss, Steve Earle and Emmylou Harris. Buddys production credits include albums with Plant, Harris, Earle, Patty Griffin, Shawn Colvin and many more.Breakdown On 20th Ave. South is a first rate showcase for Julies finely crafted lyrics. There is a line from the track Spittin' on Fire that best illustrates Julies sharp edged word play: You're a dangerous little storm, one part cold and one part warm. The song War Child is a cry for help that usually goes unheard. A cry for for help from thousands and thousands of children stolen from their families, forced to carry a gun at ages as young as 7 or 8. Never to see home again. Tracks like, Im Gonna Make You Love Me and Everything Is Your Fault hint at the ups and downs of love. The entire album is tied together by Buddys unfussy production style. Breakdown On 20th Ave. South is a treat for long time fans of Buddy & Julie and a delightful discovery for new listeners.
Atlantic Oscillations marks the return of world-renowned British producer Quantic with his most cohesive and intricate album to date. Bringing together new players and concepts with a dance orientated sound that has enchanted fans and tastemakers across the world for nearly two decades, it showcases Will Quantic Hollands artistry and rare ability to intertwine the electronic with the orchestral. Embracing his own love of albums that travel, taking the listener on twists and turns, with the loss of the album narrative that has occurred in this day of streaming, Holland utilises the space created to explore more creativity as a producer. As he admits, on the whole, the common theme on this record is that it is probably more intricate and arranged than previous records. I spent three times as long as any other Quantic record and spent a lot of time in the detail. This meticulous attitude is apparent throughout; each track has been crafted to draw the listeners attention, with elements of both musical originality and a sense of modernity.
Black 180g heavyweight vinyl LP
New Zealand-born, Brisbane-raised, and now London-based Jordan Rakei has stepped up to the plate since releasing Wallflower in 2017, stamping his authority as a talented songwriter, producer and live performer. Now, having undergone a process of evolution and re- evaluation, grappling with big picture questions – namely, technological growth, and how it affects our sense of humanity – and responding to the changes in his personal life, he is back with a new album: Origin.
On June 14, Bastille will release their new album Doom Days on Virgin Records. Made by Dan Smith with bandmates Kyle Simmons, Will Farquarson and Chris ‘Woody’ Wood, and producer Mark Crew, it sees the GRAMMY®-nominated, Brit-winning band stretch out and open up like never before. The new album consists of 11 tracks and features previously released Quarter Past Midnight with the euphoric new single Joy out May 2. Doom Days marks something of a shift in perception from its widely acclaimed predecessor, the new album captures the need to temporarily switch off and escape. It celebrates real human connections and urges us to keep searching for those moments of elation. Hailed by Rolling Stone as “Britpop’s new crown princes,” Bastille has sold over eight million adjusted albums and amassed more than 6.5 billion cumulative streams globally.
Servants of the Sun bursts into the clear blue air with the funky upper atmosphere bubbling of vintage keyboards and driving rhythm. A gateway swings wide open to a universe that the Chris Robinson Brotherhood has been tirelessly constructing for eight years through extraordinary musicianship, endless touring and a roving, seemingly bottomless wizard’s chest of sonic delights. The band’s 8th studio effort since forming in 2011—spread out over six full length albums and two EPs—sets aside the studio explorations of their more recent work and turns inward to the heart of the Brotherhood’s universe. Of the origin concept for Servants, bandleader Chris Robinson explains: “I let my head go to a Saturday night at the Fillmore, and said, what’s the best set we could play?” And in following that guiding principle the CRB bottled their pure essence into 10 new songs, a distillation of their journey so far. In many ways they have come full circle in delivering their most direct, bare bones, rock n’ roll record since debut companion albums ‘Big Moon Ritual’ and ‘The Magic Door.’
On their eagerly awaited debut album Samsara, the visionary Austin, TX combo Los Coast delivers a fresh blast of punchy psychedelic-pop-soul that effortlessly incorporates a wide range of genres. The band's seamlessly soulful songcraft incorporates the band's distinctive grooves along with the inventive compositions and commanding vocals of principal members Trey Privott (lead vocals, guitar) and John Courtney (guitar, keyboards, vocals). Even before Samsara had been recorded, Los Coast had already earned a reputation as one of America's most exciting and inventive young bands. With its lineup rounded out by Megan Hartman on bass, Damien Llanes on drums and Natalie Wright on keys, plus a varied assortment of guest players, Los Coast was already renowned for its rousing, expansive live sets. That same mix of energy and expertise is reflected on Samsara, which features such memorable, no-nonsense tunes as 'Simplify,' 'Monsters,' 'Graves' and the frantic, tongue-twisting '(Everything But) The Kitchen Sink.' The album delivers infectious hooks, ironic lyrical twists and explosive funk grooves in equal measure, providing an irresistible frame for Privott's soulful vocals and the band's explosive grooves. Pressed on clear vinyl.
Bad Religion began in the sprawling suburbs surrounding Los Angeles, with the teenage punks offering an impassioned counterpoint to a culture of consumerism and anti-intellectualism. Founding members Greg Graffin, Brett Gurewitz, and Jay Bentley were eventually joined by guitarists Brian Baker of Minor Threat, Mike Dimkich of The Cult, and drummer Jamie Miller of …And You Will Know Us by the Trail of Dead. Bad Religion have been highly influential force in modern punk, producing beloved international hits like “Infected,” “21st Century (Digital Boy),” and “Sorrow,” and building a devoted worldwide following.
Bad Religion are set to release their new album Age of Unreason, which can be described as "a musical manifesto on the current political landscape.” In a world still brimming with rampant anti-intellectualism, inequality and oppression, the band’s signature brand of sonically charged humanist dissent seems as relevant as ever.
The preeminent male group of this century, Jonas Brothers opened the floodgates for a new era of titans in pop music. They earned three consecutive number one albums and sold out shows throughout three continents. Selling over 17 million-plus albums with over 1 billion streams worldwide, they've achieved dozens of platinum and gold certifications. The tremendous success of the band provided a launch pad for their storied solo careers who have kept loyal fans yearning for a reunion, until now.
Eagles Of Death Metal’s Jesse “Boots Electric” Hughes is tipping his hat to 13 of his favorite songs with his first covers album, titled Eagles Of Death Metal Presents Boots Electric Performing The Best Songs We Never Wrote. Hughes recorded and produced electrifying renditions of 13 songs he loves, including covers of KISS, Guns N’ Roses, AC/DC, Love & Rockets, Ramones, Steve Miller Band, George Michael/Wham, Mary J. Blige, Queens of the Stone Age, The Distillers, David Bowie & more!
Guns N’ Roses bassist and New York Times bestselling author Duff McKagan’s new solo album, Tenderness, is a reflection on his experiences traveling the globe over two and a half years on GNR’s Not In This Lifetime tour. Encountering heartbreak, anger, fear, confusion and divide on his travels during this tumultuous time in our world history, McKagan channeled a collective hurt into songs of monolithic power. The album was produced by recent Grammy winner Shooter Jennings and features Jennings’ band along with appearances by The Waters and The Suicide Horn Section, amongst others. Pressed on 180-gram audiophile black vinyl and housed in a single-pocket gatefold jacket, the vinyl edition features 10 tracks and a unique sequence carefully selected by Duff and Shooter.
Mavis Staples returns with a brand new studio album produced and written by Ben Harper. Backed by Mavis’ critically acclaimed live band, We Get By features 10 songs of longing, strength, and spirituality, presented with simplicity, grit and sublime beauty. Highlights include the buoyant, “Anytime”, the cathartic, “Change”, and the title track, an uplifting duet with Ben Harper.
The Saint Of Lost Causes is the 8th album from American roots troubadour, Justin Townes Earle. Earle’s latest album finds a songwriter and artist who is unflinching and unequivocal in his truth. When writing this album, Earle focused on a different America—the disenfranchised and the downtrodden, the oppressed and the oppressors, the hopeful and the hopeless. There’s the drugstore-cowboy-turned-cop-killer praying for forgiveness (“Appalachian Nightmare”) and the common Michiganders persevering through economic and industrial devastation (“Flint City Shake It”); the stuck mother dreaming of a better life on the right side of the California tracks (“Over Alameda”) and the Cuban man in New York City weighed down by a world of regret (“Ahi Esta Mi Nina”); the “used up” soul desperate to get to New Orleans (“Ain’t Got No Money”) and the “sons of bitches” in West Virginia poisoning the land and sea (“Don’t Drink the Water”). These are individuals and communities in every corner of the country, struggling through the ordinary—and sometimes extraordinary—circumstances of everyday life.